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Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich
Riesengebirge Landscape - Caspar David Friedrich

Riesengebirge Landscape - Caspar David Friedrich

As a result of divine creation, nature is the meeting point between the human and the divine, according to Caspar David Friedrich. A church steeple is recognizable in the green plain, the only trace of human activity that seeks contact with God. The effect of depth in this painting is striking. Through the use of lighter and lighter colors, bathed in light, the viewer contemplates a grandiose landscape that seems infinite and unattainable, like the divine.

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L'œuvre en bref

As a result of divine creation, nature is the meeting point between the human and the divine, according to Caspar David Friedrich. A church steeple is recognizable in the green plain, the only trace of human activity that seeks contact with God. The effect of depth in this painting is striking. Through the use of lighter and lighter colors, bathed in light, the viewer contemplates a grandiose landscape that seems infinite and unattainable, like the divine.

The artist

Born in Greifswald, Germany, Caspar Friedrich (1774 - 1840), took drawing lessons from a municipal teacher before leaving for Denmark. He joined the Royal Academy of Fine Arts, from 1794 to 1798, to learn Antique and Classical art. He then moved to Dresden, a city in artistic effervescence, where his landscape drawings were highly appreciated. Friedrich even won a prize at the Weimar competition in 1804. He began to paint only in 1807, specializing in romantic landscapes. The artist acquired a solid reputation in the 1810s when his works were purchased by the King of Prussia. At that time he became a member of the Berlin Academy and the Dresden Academy. While his work became a fixture at the Russian Court, Friedrich suffered a stroke that partially paralyzed him and forced him to limit his productivity.
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