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The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint
The Ten Biggest - No 7. - Hilma de Klint

The Ten Biggest - No 7. - Hilma de Klint

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In this painting by Hilma af Klint, the male aura represented by the yellow form in curves and counter-curves actually reveals a metaphysical network. The red line representing existence, the dotted lines of uncertainty, the pink and white colour of love and purity and the black lines of determination, are articulated as a psychic record of man, freed from his virile and animal representations.

The meaning of the numbers provides the keys to the analysis with the One: unity, formed by a vertical line expressing evolution and a diagonal line transmitting it. Upright and straight, it particularises the acting spirit and the divine thought in one being. Two: a body formed by a half-sphere (denoting the feminine) and a horizontal line (being the masculine pole) embodies the couple, the stylisation of the swan and half a heart. This one-letter figure of God thus represents personal fulfilment and complementarity, joined by the Three: both trinity and holy spirit.

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L'œuvre en bref

In this painting by Hilma af Klint, the male aura represented by the yellow form in curves and counter-curves actually reveals a metaphysical network. The red line representing existence, the dotted lines of uncertainty, the pink and white colour of love and purity and the black lines of determination, are articulated as a psychic record of man, freed from his virile and animal representations.

The meaning of the numbers provides the keys to the analysis with the One: unity, formed by a vertical line expressing evolution and a diagonal line transmitting it. Upright and straight, it particularises the acting spirit and the divine thought in one being. Two: a body formed by a half-sphere (denoting the feminine) and a horizontal line (being the masculine pole) embodies the couple, the stylisation of the swan and half a heart. This one-letter figure of God thus represents personal fulfilment and complementarity, joined by the Three: both trinity and holy spirit.

Would you like to buy another painting by Hilma af Klint? Discover all our reproductions of this artist.

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Reproduction of The Ten Biggest - No 7. by Hilma de Klint

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