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Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler
Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler

Eiger, Mönch and Jungfrau above the sea of fog - Ferdinand Hodler

The Swiss massifs are preponderant in Ferdinand Hodler's symbolist paintings. These landscapes have always captivated the artist, who has depicted more than six hundred of them. In this work, he gradually gave up the importance of the foreground to depict the mountains head-on.

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L'œuvre en bref

The Swiss massifs are preponderant in Ferdinand Hodler's symbolist paintings. These landscapes have always captivated the artist, who has depicted more than six hundred of them. In this work, he gradually gave up the importance of the foreground to depict the mountains head-on.

The artist

Ferdinand Hodler (1853-1918), born in Bern, is one of the most famous Swiss painters of the 19th century. Born into an underprivileged family, he was discovered in 1868 by the director of the Geneva School, Barthélémy Menn, who took him on as a student and introduced him to landscape painting. At first strongly inspired by Camille Corot and Gustave Courbet, he eventually developed his own style and tended towards symbolism. Confronted with death throughout his life (orphaned at 14 and the death of his daughter), he painted a series of pictures mixing death and women. Then, participating in a multitude of exhibitions, Hodler won three gold medals for his work at the Exposition Universelle de Paris in 1900. He then enjoyed a comfortable economic situation and increased artistic recognition until his death.
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