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The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler
The road to a particular interest - Ferdinand Hodler

The road to a particular interest - Ferdinand Hodler

Throughout his career, Ferdinand Hodler painted many landscapes in which he put his theory of parallelism into practice. In this work, he wanted to convey a sense of harmony that one feels when observing a real landscape. The artist's signature lies in a perfect blend of topographical realism of the site, formal stylization and absence of human presence.

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The artwork in a nutshell

Throughout his career, Ferdinand Hodler painted many landscapes in which he put his theory of parallelism into practice. In this work, he wanted to convey a sense of harmony that one feels when observing a real landscape. The artist's signature lies in a perfect blend of topographical realism of the site, formal stylization and absence of human presence.

The artist

Ferdinand Hodler (1853-1918), born in Bern, is one of the most famous Swiss painters of the 19th century. Born into an underprivileged family, he was discovered in 1868 by the director of the Geneva School, Barthélémy Menn, who took him on as a student and introduced him to landscape painting. At first strongly inspired by Camille Corot and Gustave Courbet, he eventually developed his own style and tended towards symbolism. Confronted with death throughout his life (orphaned at 14 and the death of his daughter), he painted a series of pictures mixing death and women. Then, participating in a multitude of exhibitions, Hodler won three gold medals for his work at the Exposition Universelle de Paris in 1900. He then enjoyed a comfortable economic situation and increased artistic recognition until his death.
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