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Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac
Collioure, Les Balancelles - Paul Signac

Collioure, Les Balancelles - Paul Signac

The work "Collioure, Les Balancelles" by Paul Signac is a representation of a sailboat in the port of the town of Collioure. This painting is illustrated by the softness of the colors and the ambient harmony. It is part of the "series of ports of France" that Signac traveled for over three years.

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L'œuvre en bref

The work "Collioure, Les Balancelles" by Paul Signac is a representation of a sailboat in the port of the town of Collioure. This painting is illustrated by the softness of the colors and the ambient harmony. It is part of the "series of ports of France" that Signac traveled for over three years.

The artist

Born in Paris, Paul Signac (1863 - 1953) was a self-taught painter. A fervent admirer of the work of Caillebotte and Degas, whom he discovered at the fourth Impressionist Exhibition in 1879, Signac also wanted to get involved in the Impressionist movement, which he saw as a symbol of freedom. His first works were strongly influenced by Monet, his mentor and faithful friend. His meeting with Seurat, at the founding of the Salon des Indépendants in 1884, radically changed his way of seeing painting. A symbol of progress and modernity for him, he converted to the technique of divisionism and studied the laws of optics, which would lead him to his pointillist era in 1886. He ended his life in Saint-Tropez, where he left a number of watercolor paintings, a technique that pushed him to impulsive creation.
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