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Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay
Rhythm n° 1 - Robert Delaunay

Rhythm n° 1 - Robert Delaunay

Following in the footsteps of certain color theorists, Robert Delaunay continued his search for a painting based on the law of color contrasts. Giving the illusion of movement, cubism is put at the service of a theme of a modern world in full swing.

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L'œuvre en bref

Following in the footsteps of certain color theorists, Robert Delaunay continued his search for a painting based on the law of color contrasts. Giving the illusion of movement, cubism is put at the service of a theme of a modern world in full swing.

The artist

Born into a bourgeois Parisian family, Robert Delaunay (1885 - 1941) was introduced to traditional painting by his uncle. Anxious to become a "painter of modernity", he produced his first paintings in 1904, which were closely linked to nature and strongly inspired by the neo-impressionist and fauvist movements. After being excluded from the Salon d'Automne in 1906, he acquired a small reputation by exhibiting at the Salon des Indépendants thanks to his paintings of Paris monuments, which were close to Cubism. He even founded, with his wife, the Orphic movement and simultaneism, halfway between cubism and abstraction. Despite his attraction to major art, Delaunay spent much of his life in the decorative arts: he created the sets for the Ballets Russes and painted frescoes for various public buildings.
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