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Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye
Married Life - Roger de La Fresnaye

Married Life - Roger de La Fresnaye

Rendered in a cubist approach, this painting features a man and a woman, who are husband and wife and who, at first glance, have been together for some time. Together but at the same time separated. The man is wearing a suit and smoking a cigarette. Sitting on a chair next to him, the woman is completely naked, her eyes closed. The room is cluttered, surely to reflect the state of their married life. And yet, there is order, harmony. This work is thus a paradoxically realistic representation of the balance within a couple.

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The artwork in a nutshell

Rendered in a cubist approach, this painting features a man and a woman, who are husband and wife and who, at first glance, have been together for some time. Together but at the same time separated. The man is wearing a suit and smoking a cigarette. Sitting on a chair next to him, the woman is completely naked, her eyes closed. The room is cluttered, surely to reflect the state of their married life. And yet, there is order, harmony. This work is thus a paradoxically realistic representation of the balance within a couple.

The artist

Born in Le Mans, Roger De La Fresnaye (1885 - 1925) studied at the Julian academy, then at the Ranson academy. He became a student of the Nabi Maurice Denis, whose artistic influence was evident in his early paintings. A trip to Northern Italy in 1911 contributed to the evolution of his painting towards cubism. He was part of the Section d'Or group, or Puteaux group, alongside Marcel Duchamp and Metzinger. He participated in the decoration of the Cubist House and, from 1910, exhibited his works several times at the Salon d'Automne and the Salon des Indépendants. La Fresnaye continued his artistic research on cubism and abstraction until the First World War, which radically weakened his health. His pictorial orientation then changed, moving away from cubism to approach surrealism.
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