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The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo
The Creation of Adam, detail - Michelangelo

The Creation of Adam, detail - Michelangelo

This is the emblematic detail of Michelangelo's work. This relative symmetry reminds us that man is created in the image of God. The index finger of Adam, on the left, and that of God, on the right, are approaching each other but remain separated by a short distance, which suggests that it materializes the separation between God and Adam. In fact, her right arm reaches out to man to give the spark of life.

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L'œuvre en bref

This is the emblematic detail of Michelangelo's work. This relative symmetry reminds us that man is created in the image of God. The index finger of Adam, on the left, and that of God, on the right, are approaching each other but remain separated by a short distance, which suggests that it materializes the separation between God and Adam. In fact, her right arm reaches out to man to give the spark of life.

The artist

Michelangelo was a Florentine sculptor, painter, architect, poet and town planner of the High Renaissance. His work had a considerable influence on his contemporaries, so much so that his "way" of painting and sculpting was abundantly taken up by the representatives of what would be called Mannerism, which flourished in the late Renaissance. As a competitor to Raphael and Leonardo da Vinci, Michelangelo was able to impose himself by becoming the official painter, sculptor and architect of the Vatican. Several biographies were published during his lifetime as proof of the admiration he enjoyed among intellectuals and other artists of his time.
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