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Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet
Woman with a Parasol, facing right - Claude Monet

Woman with a Parasol, facing right - Claude Monet

The similarity of this work to Woman with a Parasol, painted 10 years earlier, is striking. Here Claude Monet is painting the daughter of his second wife, Suzanne Hoschedé. A misunderstanding quickly arouses our curiosity: the wind is blowing from right to left, while the grass seems to be leaning to the right. We are here in full impressionism: the artist goes beyond the strict reality, to exploit the feeling, suggested with plays of light and color. Thus, the young woman has no real face. However, the subtle shading of the eyes and mouth, the slightly tilted head, give the feeling of a certain benevolence.

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L'œuvre en bref

The similarity of this work to Woman with a Parasol, painted 10 years earlier, is striking. Here Claude Monet is painting the daughter of his second wife, Suzanne Hoschedé. A misunderstanding quickly arouses our curiosity: the wind is blowing from right to left, while the grass seems to be leaning to the right. We are here in full impressionism: the artist goes beyond the strict reality, to exploit the feeling, suggested with plays of light and color. Thus, the young woman has no real face. However, the subtle shading of the eyes and mouth, the slightly tilted head, give the feeling of a certain benevolence.

The artist

Oscar-Claude Monet was born on November 14, 1840 in Paris. He died in 1926 in Giverny, he will mark the beginning of the 20th century with his work. Claude Monet is considered one of the greatest masters of Impressionism. His taste for light and his obsession with color allowed him to produce major works that are appreciated for their true value. In April 1874, the "Société anonyme coopérative des artistes peintres, sculpteurs et graveurs" organized an exhibition that opened new perspectives for modern art. Claude Monet exhibited his work Impression, Sunrise. The exhibition was not a great success. Wanting to make fun of the work cited, the journalist Louis Leroy called all the artists "impressionists". The term impressionism then took on a new meaning.
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Reproduction of Woman with a Parasol, facing right by Claude Monet

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