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Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt
Lady with Fan - Gustav Klimt

Lady with Fan - Gustav Klimt

Gustav Klimt painted this work at the end of the Art Nouveau movement. It is one of his last paintings. We perceive a particular treatment of nudity. The skin emerges from the richly decorated fabrics that surround and cover it. The background of the painting, as well as the kimono she wears and her fan are of Asian inspiration.

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L'œuvre en bref

Gustav Klimt painted this work at the end of the Art Nouveau movement. It is one of his last paintings. We perceive a particular treatment of nudity. The skin emerges from the richly decorated fabrics that surround and cover it. The background of the painting, as well as the kimono she wears and her fan are of Asian inspiration.

The artist

Born into a family of artisans, Gustav Klimt (1862 - 1918) entered the School of Decorative Arts in Vienna at the age of 14 and learned painting and mosaics. The Viennese artist began as a decorative painter on bourgeois villas. In love with art, he gets closer to the symbolist circles and wishes to promote modern art. Dreaming of reconciling painting and architecture, his status as a craftsman prevented him from being recognized as a full-fledged artist, as a barrier existed between the decorative arts and the arts considered as major. Revolted by this state of affairs, Klimt joined the Secessionist group in 1887 and even became its president, eager to promote Viennese art on an international level. An artist who was as much criticized as he was renowned, he moved away from the decorative arts towards the end of his life and turned to Fauvism, which he considered avant-garde.
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Reproduction of Lady with fan by Gustav Klimt

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