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Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt
Church in Cassone - Gustav Klimt

Church in Cassone - Gustav Klimt

Painted by Gustav Klimt on the shores of Lake Garda in Italy, this work is one of the most beautiful landscapes known to the master of the Viennese Secession. Square in format, it is a model of its kind with its composition without perspective, its subtle harmony of green, blue and yellow, its intimate atmosphere close to a small pointillist jewel. It is the only survivor of the three landscapes that the artist painted during his stay in Italy.

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L'œuvre en bref

Painted by Gustav Klimt on the shores of Lake Garda in Italy, this work is one of the most beautiful landscapes known to the master of the Viennese Secession. Square in format, it is a model of its kind with its composition without perspective, its subtle harmony of green, blue and yellow, its intimate atmosphere close to a small pointillist jewel. It is the only survivor of the three landscapes that the artist painted during his stay in Italy.

The artist

Born into a family of artisans, Gustav Klimt (1862 - 1918) entered the School of Decorative Arts in Vienna at the age of 14 and learned painting and mosaics. The Viennese artist began as a decorative painter on bourgeois villas. In love with art, he gets closer to the symbolist circles and wishes to promote modern art. Dreaming of reconciling painting and architecture, his status as a craftsman prevented him from being recognized as a full-fledged artist, as a barrier existed between the decorative arts and the arts considered as major. Revolted by this state of affairs, Klimt joined the Secessionist group in 1887 and even became its president, eager to promote Viennese art on an international level. An artist who was as much criticized as he was renowned, he moved away from the decorative arts towards the end of his life and turned to Fauvism, which he considered avant-garde.
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