Ballerinas adjusting their tutus - Edgar Degas
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In his early years in the 1860s, Edgar Degas made the Paris Opera the main subject of his work. He explored its various moments and spaces: the regular training sessions, the backstage and the stage. Here, the artist masters elliptical shortcuts and the practice of close-ups. He knows how to synthesize a series of movements, suggested by a drawing more and more cursive which confers to the painting a surprising expressive value. Enjoying ballet, Degas painted several pictures of dancers, such as The blue dancers and Dancers in pink.
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The artwork in a nutshell
In his early years in the 1860s, Edgar Degas made the Paris Opera the main subject of his work. He explored its various moments and spaces: the regular training sessions, the backstage and the stage. Here, the artist masters elliptical shortcuts and the practice of close-ups. He knows how to synthesize a series of movements, suggested by a drawing more and more cursive which confers to the painting a surprising expressive value. Enjoying ballet, Degas painted several pictures of dancers, such as The blue dancers and Dancers in pink.
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Reproduction of Ballerinas adjusting their tutus by Edgar Degas
Features
Oil paint
Our paintings are done entirely in oil paint. The meticulous work of detail coupled with the exceptional talent of our painters are the keystones of the intensity and depth of our paintings.
Canvas
Our linen and cotton canvases offer rock-solid strength that gives our works exceptional longevity. They are resistant to tension, humidity and temperature variations.
Wooden frame
Our solid wood frames are made of aspen, from sustainably managed forests (FSC certified). They benefit from a treatment that guarantees exceptional stability and are free of any resin.
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