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The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye
The Bathers - Roger de La Fresnaye

The Bathers - Roger de La Fresnaye

An admirer of Cézanne, Roger de la Fresnaye adhered to Cubism and its deconstruction of perspective. He was at the height of his career and constructed "Les Baigneurs" with his very personal conception of Cubism. Beyond the forms, La Fresnaye also often defined himself by bright colors while Braque and Picasso turned to a beige monochrony.

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L'œuvre en bref

An admirer of Cézanne, Roger de la Fresnaye adhered to Cubism and its deconstruction of perspective. He was at the height of his career and constructed "Les Baigneurs" with his very personal conception of Cubism. Beyond the forms, La Fresnaye also often defined himself by bright colors while Braque and Picasso turned to a beige monochrony.

The artist

Born in Le Mans, Roger De La Fresnaye (1885 - 1925) studied at the Julian academy, then at the Ranson academy. He became a student of the Nabi Maurice Denis, whose artistic influence was evident in his early paintings. A trip to Northern Italy in 1911 contributed to the evolution of his painting towards cubism. He was part of the Section d'Or group, or Puteaux group, alongside Marcel Duchamp and Metzinger. He participated in the decoration of the Cubist House and, from 1910, exhibited his works several times at the Salon d'Automne and the Salon des Indépendants. La Fresnaye continued his artistic research on cubism and abstraction until the First World War, which radically weakened his health. His pictorial orientation then changed, moving away from cubism to approach surrealism.
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